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We Love the City Posts

The Corin Tucker Band: Neskowin

At the risk of being melodramatic, the breakup of Sleater-Kinney was the worst event in the history of the human race. On the one hand, The Woods was probably the high point of their excellent career, and an perfect note to go out on. But on the other hand, what if they’d gotten even better? Or just stayed awesome?

My pain was soothed by Wild Flag, starring Carrie Brownstein and Janet Weiss, whose debut album was rocktastically outstanding, but what I really wanted – nay, needed – was the return of The Voice.

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Dredd aims low, gets the job done

Despite spending more than two decades of my life reading comic books, I don’t know much about Judge Dredd. I know he’s an icon, and many great British writers and artists have worked on his books, but they’ve had limited availability in North America. I read a Batmand-Dredd teamup book once, but that’s about it.

I’m not sure, after watching Dredd, if I know anything more. This is a film that seems largely removed from the source material: Outside of the concept of a paramilitary police force and a post-apocalyptic future, there’s not a lot here that say “Dredd!” beyond some occasional scenery and a few sci-fi props. This story could translate to present-day reality without losing much.

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Coming Soon: The Toronto International Film Festival

The Toronto International Film Festival  is kind of like Christmas if you love watching movies, standing in line, and not sleeping.  I’ve been seeing more and more films at the festival over the past decade; last year, I dove in and got a 50-film pass. It was insane. I almost died.

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What car commercials can teach us about bicycles

How do you get more people to give up their cars and ride bikes?

Danish cycling advocate Andreas Rohl attended the Ontario Bike Summit last week, and as a representative of a city with quite a lot of bicycle usage, he had a few things to say on the subject. In the National Post, he said:

“I like to say we have no cyclists in Copenhagen. We have citizens who use bikes to get from A to B.”

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Game of Thrones 2.4: Bad Boys

I’m not a terribly squeamish person when it comes to violence in my entertainment. I’ve seen a lot of Takashi Miike films, I’ve read American Psycho, and I enjoy some brutal violence and gushing blood when it’s presented the right way. I don’t think any behaviour or act is truly out of bounds in fiction, though its relevance or usefulness to any given story may be questionable. I’m a fan of chasing characters into trees and then throwing rocks at them – whether physical or emotional – because that’s where drama  and character development happen.

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Game of Thrones’ Women Troubles

If you set your story in a medieval-style world, are you obligated to treat your female characters like crap?

This is the question Game of Thrones struggles with, both on page and on screen. Westeros is unquestionably a male-dominated world, but George R.R. Martin has created more intelligent and interesting female characters than the average fantasy author, and for the most part he manages to treat characters of all genders terribly at one point or another.

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Parks and Recreation 4-14: Operation Ann

Parks & Recreation defines its characters extremely well. Everyone has a role in the dynamic of the show, and while the nature of comedy & drama demands those roles be stretched and challenged from time to time, the show always knows what its characters are about.

The major exception to this rule is Ann Perkins. Ann started off as a plot device: She wanted the pit behind her house filled in. She volunteered to help Leslie get it done, and followed her through all the bureaucracy and crazy shenanigans that involved. Along the way she and Leslie bonded as friends, and Rashida Jones settled into the role of playing straight man to Amy Poehler’s insanity.

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