HBO’s newest series, The Leftovers, was created by Damon Lindelof, one of the head writers on Lost. This should raise some red flags.
Lost had its moments: It set up an intriguing premise, and was great at building suspense and mystery. But the mysteries grew and grew, and the resolutions seemed farther and farther away; cliffhangers would tease at revelations, only to see the story move in a completely different direction in the next episode. I gave up midway through the second season, abandoning any hopes I would ever see anything resolved.
The Leftovers starts with a similarly mysterious premise: One day, in a Rapture-type event, people disappear. But with the series starting three years after the mass disappearance, it creates a second mystery: What has happened since the disappearance?
This is an odd sort of mystery, because the characters all know what happened during those three years; as such, The Leftovers seems largely built upon keeping things from the audience. There’s a certain amount of logic to this – while the world of The Leftovers is foreign to viewers, it’s become an everyday reality for the characters within it – but it also requires the script to avoid some obvious topics until they can be revealed in the most dramatic fashion.
A mild spoiler for the pilot follows. Except it’s not really a spoiler, as we shall soon see.