Just in time for Hallowe’en comes this ominous & monstrous drone collaboration from The Bug and Earth. That’s not a teamup I’d have ever expected, but it works quite nicely.
Play liberally at spooky parties, or on the soundtrack of a serial killer movie.
From: The Bug / Earth Black Friday Record Day single by NinjaTunes.
Last week, the Toronto International Film Festival announced some of their big galas and premieres. There were some interesting films listed, but the real excitement came today, when they unveiled the Midnight Madness, Vanguard, Masters, and Documentary programmes. These are the films that are less likely to make headlines, but are some of the best, most interesting, and craziest movies at the festival.
Here are a few films that jumped out of the lineup so far. This is by no means definitive, and at times totally subjective and irrational. There is a reasonably possibility that some of them will not be very good.
HBO’s newest series, The Leftovers, was created by Damon Lindelof, one of the head writers on Lost. This should raise some red flags.
Lost had its moments: It set up an intriguing premise, and was great at building suspense and mystery. But the mysteries grew and grew, and the resolutions seemed farther and farther away; cliffhangers would tease at revelations, only to see the story move in a completely different direction in the next episode. I gave up midway through the second season, abandoning any hopes I would ever see anything resolved.
The Leftovers starts with a similarly mysterious premise: One day, in a Rapture-type event, people disappear. But with the series starting three years after the mass disappearance, it creates a second mystery: What has happened since the disappearance?
This is an odd sort of mystery, because the characters all know what happened during those three years; as such, The Leftovers seems largely built upon keeping things from the audience. There’s a certain amount of logic to this – while the world of The Leftovers is foreign to viewers, it’s become an everyday reality for the characters within it – but it also requires the script to avoid some obvious topics until they can be revealed in the most dramatic fashion.
A mild spoiler for the pilot follows. Except it’s not really a spoiler, as we shall soon see.
In his latest press release, Mayoral candidate Jonn Tory takes aim at Olivia Chow’s history of spending money as a politician. Matt Elliott took a good look at the accuracy of those claims, but the one thing that stood out in Tory’s release is the dreaded accusation that Olivia Chow is a Career Politician.
“Toronto needs a mayor with experience, fiscal common sense, and restraint – not a career politician who has been living off the public purse for three decades.”
Gillian Robespierre’s Obvious Child does one unique thing very well: It tells a story about abortion without any emotional trauma or hysterical moral wailing.
Obvious Child is the story of Donna (Jenny Slate), who gets pregnant after a drunken one-night stand and, given her complete lack of financial or emotional stability, decides to have an abortion. Predictable hijinks ensue, but more interestingly, women talk about their experiences with abortions, and none of them degenerate into tearful monologues about terrifying clinics or lifelong regret. Continue reading
It’s been long time since I was excited about seeing a Michael Keaton movie. Probably since Batman Returns, which came out 22 years ago. (At some point, I remember wanting to see Multiplicity, but I don’t think I ever did; I was excited to see Out of Sight and Jackie Brown, but those are merely movies with a small bit of Michael Keaton.)
On the other hand, I usually get excited by a new film by Alejandro González Iñárritu, even if the results don’t always meet my expectations. There’s a lot I’ve liked about 21 Grams, Babel, and Biutiful, but Inarritu often piles the drama on too heavy on top of scrawny plots & characters.
All that said, I never expected to see Inarritu and Keaton in a movie together, but that’s what we get with Birdman, and it looks fascinating. Michael Keaton’s been middle-of-the-road for so long, it’s easy to forget he made some great dark comedies in the 80s – Night Shift and Beetlejuice in particular – and also did some solid dramatic work in Pacific Heights and Much Ado About Nothing.
Birdman obviously acknowledges the conceit that, yes, Keaton used to play Batman, then appears to take that in a crazy Black Swan kind of direction.
Given the many clones on Orphan Black, it’s not uncommon to get a sense of deja vu while watching the show. But the opening scene of Governed As It Were By Chance, the fourth episode of season two, conjures not another version of Tatiana Maslany, but a vision of Bryan Cranston in his underwear. Continue reading
There are many choices that need to be made when adapting a book into a TV show or movie. Some things work on the page but not on the screen, and some things simply need to be cut for time. This goes quadruple for a series of books as massive as Game of Thrones - the sheer volume of characters and subplots would render any adaptation a confusing mess. For the most part, HBO’s Game of Thrones has made a lot of smart choices, paring down the cast of characters and streamlining some of the stories. We can quibble about what has or hasn’t worked – someone like Shae gets more character development, while poor Melisandre is stripped of her complexity – but we can agree that some changes are necessary.
Having said all that, it’s hard to imagine that someone would read George R.R. Martins’ books and come to the conclusion that the audience needs to see even more rape and cruelty.
The worst thing about Captain America: The Winter Soldier is that Captain America is in it.
I can’t lie: I’ve never liked the star spangled avenger. Most of that can be attributed to me being Canadian, and being fairly disinterested in a superhero wrapped in someone else’s flag. (Lest you think it’s entirely about nationalism, I have always maintained that Alpha Flight is pretty stupid.)
The first Captain America movie because it put the character in his proper context: As a piece of WWII propaganda. I don’t even mean that in a derogatory sense: It was a fun, pulpy bit of entertainment that played with the character’s origins and created a scenario where it was (almost) credible to dress a man up in a costume and send him to Germany to fight Nazis with a shield.
But while the modern Captain America narrative tends to be a “fish out of water” story, Winter Soldier takes Captain America too far out of the character’s comfort zone, and doesn’t do much with the resulting juxtaposition.
It’s not just about being a fat stupid drunk.
We all know Rob Ford is ridiculous. At his best, he mixes simplistic catch phrases with incoherent bluster until he turns red in the face. One might think he was drunk or high most of the time, until he shows up in public demonstrating what a drunk Rob Ford really looks like. There was also that time he got so drunk he accidentally smoked crack.
And so we have the Crack Mayor, the godsend to late-night talk show hosts, who says and does things that politicians simply don’t do. He appears on Jimmy Kimmel, and people crowd around him to take his picture wherever he goes. Some people even take pictures of their kids with Rob Ford. Some of those people are probably true supporters, while others are doing it out of irony or celebrity spotting. Either way, they should stop.
If he were merely a buffoon, if he were only a stupid rich man pretending to be mayor, then it might be okay. But there’s so much more to Rob Ford than the crack mayor who has plenty to eat at home. Continue reading